Goblin Week 2022 Retrospective

Goblin Week 2022 Retrospective

Digital artwork of seven gangly goblins.

Throwing Down on Social Media
I don’t often participate in big group challenges in public, but this one caught my interest: Goblin Week! It was started by Evan Dahm in 2012 and every year, the goblins just get more goblin-y. I created seven different goblins with different goblin careers. One aspect of the challenge that I was proud of was testing out how fast I could conceptualize a goblin, draw it, and color it. I could make a couple per hour with my new lining and flatting style. The goblins didn’t make as big of a splash as I’d hoped on social media but I am happy with them and hope they live lovely little goblin lives.

Comics Tip

Developing a Following for a Comic via Community Events
Big community challenges aren’t necessarily great for exposure. Many times, artists who already have a following are the ones who are going to get big numbers within a large group event. I’ve done many community challenges in the past and have a few thoughts to share about them, besides simply honing your skills.

Digital art of dragons chasing a tiny Margo.One of my old Inktober entries. Margo has attracted quite the following.

What is the trick to gaining followers from community challenges? I would say, picking smaller challenges that occur frequently is a great place to start. Why is this? Well, if you think about advertising, it’s something that has to happen consistently to ‘take’. A person often won’t click on an ad the very first time they see it. If the ad is persistent, they are more likely to click it. The same goes for following an artist. A person who sees that artist’s work multiple times is more likely to recognize and follow them.

If the only community event an artist does occurs once per year, and is already oversaturated with the works of other, bigger artists, then that is not going to result in many new followers. Sure there are oddball lucky submissions that do numbers, but for stuff like Inktober and Goblin Week I could tell that artists who already had followings were being seen and shared the most. My own submissions for just the one year reached a couple of new people, but this was only with the help of those who already followed my accounts (about 2-3 thousand people across my various accounts, as far as I can tell). So, this makes me think that the really big community challenges aren’t necessarily the best ones for comic artists hoping to attract new eyes to their work.

Try Small, Repeating Art Contests
My suggestion for those looking to build their following would be to start small, with small challenges, that repeat frequently, so that your work gets presented to the same audience on a relatively frequent basis. People love to watch growth so even if your work isn’t up to par at the beginning, it could get there eventually. Persistence is going to win the day if your goal is to build a following. Pick one or two monthly challenges with consistent deadlines, such as on Facebook or Twitter, and add to the community there. Then, once momentum builds from the smaller communities, it’s easier to make a statement in larger community events.

My final note, of course, is that social media is inherently meaningless on its own, so some thought ought to be put into what a following may be used to leverage. Don’t build your following for a comic at the expense of making the comic, is all I’m saying.

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Converting a Webcomic into a Graphic Novel Pitch

Converting a Webcomic into a Graphic Novel Pitch

Retrofitting Dinosaurs for the Future of HumankindRAWR! Dinosaur Friends started out as a webcomic concept, one that I wasn't initially intending to pitch as a proper graphic novel. The first iteration was a slapdash, punk homage to the natural history museums I loved...

Goblin Week 2022 Retrospective

Goblin Week 2022 Retrospective

Throwing Down on Social MediaI don't often participate in big group challenges in public, but this one caught my interest: Goblin Week! It was started by Evan Dahm in 2012 and every year, the goblins just get more goblin-y. I created seven different goblins with...

Want to chat about this?

Gastronomy Chart

Gastronomy Chart

Full-color digital artwork of 250+ creatures of the Carboniferous period. A graphic of the world in the upper left corner encourages viewers to 'spot 'em all!'. The Carboniferous lasted from 359.2-299 mya. There are too many creatures in the graphic to name, but there are sharks, nautiloids, ammonites, fish, amphibians, arachnids, insects, and even a couple of edaphosaurs (mammalian reptiles) present in this period. They're scattered all around the continents before they were even Pangea. Plenty of plants dot the landscape in between, including plants still extant today such as ginkgo.

An Illustration of Gastronomical Proportions
This one-shot editorial illustration represents mashups of foods that I personally enjoy and celestial bodies. I wanted to make a large print for sale in-person at conventions. Someday, I may open an online shop as well, but for now this exists as an exercise in creating a compelling illustration out of lots of fiddly bits. The meals involved as puns are all based on my own personal tastes and are in no way representative of all the great food out there. I should be ashamed of all these puns, but no, I’m going to include a chart so that you can track down each and every one of them. Many of the puns were contributed by regular viewers to my weekly livestream and no, I’m not sure whether I should thank or blame them.

Gastronomy labeled map - full details pending

Horoscopes
As a writing exercise, I wrote encouraging food-themed horoscopes for each zodiac sign.

Steak

Aries
“B-aries”

You are bold and swift. As you charge forth into your creative endeavors, remember that the things you are creating and offering to the world can also be things that you, yourself, enjoy.

Steak

Pisces
“Stargazy Pie”-sces

You’re looking at the stars all the time in search of inspiration. Don’t forget to glance in front of you every now and then. We wouldn’t want you to end up in someone else’s pie.

Steak

Aquarius
“Asparagus”

Today, you’re going to chop all the woody parts off your project. This will make it super soft, buttery, and crisp after it’s fried. Look to Taurus and pour a little red wine for a great pairing.

Steak

Saggitarius
Saggi-“Pear”-ius

Keep your eye on the prize, but — if you can load your arrow upfront, who would blame you? Maybe you have a secret resource that you’re not utilizing yet. No shame in using it.

Steak

Scorpio
Lobster Tail

You might be severely underrated. Even prisoners didn’t want to eat lobster in Victorian England. But look at this dish now — Golden, buttery, delicious…expensive. Boil your heart out.

Steak

Libra
Li-“Bread”

Your work is going to be a staple in someone’s life. Maybe not everyone likes raisins in their loaf, or rye, or sourdough, but trying different angles will show you the true grain eventually.

Steak

Virgo
Extra “Virgo” Olive Oil

Honey, you’re delicious, and you belong in every meal. Just remember to add yourself after the pan is heated so you don’t evaporate into smoke. Tonight: sit in a bowl with some oregano

Steak

Leo
Le-“Orange”

If your work isn’t quite complex enough to attract attention, utilize your sunny personality. Big, simple flavors are refreshing, especially if they’re offered by someone kind and friendly.

Steak

Cancer
Boiled Crab

You’ve got something really grand in the works, and you know it! The project may take awhile to get from one place to another, but once you have it, it’s yours to steam and butter.

Steak

Gemini
Ge-“Mint”-i

Have you shared your project with someone you trust? Not every pitch session has to be about critique. Sometimes, it’s refreshing to sit down with someone who only has praise for your work.

Steak

Taurus
T-bone Steak

Your stalwart nature will save the day. Flip your project and your finesse will result in a juicy, flavorful meal — and it’s also okay to use extra spices. A good sear is what locks the flavor in.

Comics Tip

Comparing Processes in Similar Projects
Lately I have been on what I could term an ‘Eye Spy’ kick, where I’m fascinated by broad, landscape compositions with lots to teeny, tiny intertwining scenes and characters. My previous work in this vein was this snapshot of the Carboniferous, featuring over 250 organisms from the time period.

Full-color digital artwork of 250+ creatures of the Carboniferous period. A graphic of the world in the upper left corner encourages viewers to 'spot 'em all!'. The Carboniferous lasted from 359.2-299 mya. There are too many creatures in the graphic to name, but there are sharks, nautiloids, ammonites, fish, amphibians, arachnids, insects, and even a couple of edaphosaurs (mammalian reptiles) present in this period. They're scattered all around the continents before they were even Pangea. Plenty of plants dot the landscape in between, including plants still extant today such as ginkgo.

For this complex Eye Spy page, I had each organism in its own named layer folder. The folder contained visual reference, a rough sketch, and lineart. I approached the composition by laying out all of the organisms as sketches first. Then I created their lineart. After that, I duplicated the lines and merged them so that they would be easier to color. I felt weird about having over a thousand layers in one document, but my computer was able to handle it.

For the Gastronomy concept, I wondered if simplifying the document might help complete it more quickly. Instead of compiling reference for everything, then sketching every character, and then drawing lineart for every character, I worked on the piece one constellation at a time. All the sketches are on one layer, and all the lineart is on one layer, and then all the stars are on one layer.

Which one works best for me?
The results were… drumroll please…Absolutely, 1000%, my process on the Carboniferous was better. Working on individual illustrations meant I was constantly switching between research, sketch, and lineart mode on Gastronomy. My Carboniferous creatures, as sketches, could be moved around more easily and tangents were solved. This was not the case with Gastronomy constellation characters and I fear the tangents in this piece.

For creating highly-detailed landscape compositions like this, I recommend:

  1. Organized, named layers, in folders per miniature that exists in the illustration. Don’t be afraid of a thousand layers in your document. Just save it as a .psb. It’s all good.

  2. Do visual research for ALL of the characters or mini-illustrations first.
  3. Sketch ALL of the characters across the whole composition before doing lineart.
  4. Give yourself a composition-editing phase between sketching and lineart. Easier to move, enlarge, shrink, and otherwise edit sketches than it is to edit lines, in my experience.
  5. Once the lineart is done, create two duplicate, flattened versions of all the lineart. One is to behave as lines, the other is to help with flatting. Keep at least one copy of the lineart with separate characters because they can be useful outside of the big composition as spot illustrations, or as easy selection areas for the magic wand tool.
  6. Chunk the whole composition into 9-12 squares for coloring flats, details, and doing small paintovers. Polishing a fraction of the larger illustration per day helps manage burnout and gives a series of smaller accomplishments to reach.
  7. Choose points of interest in the overall composition. Putting big highlights and shadows on everything can make it hard to focus (although sometimes that’s the point!). Selectively highlighting certain parts of a larger Eye Spy composition allows the other subjects to fall back and ‘hide’ a little, making it more fun to look through.

On a final note, there was also a small hiccup with Gastronomy where my reference star chart omitted around 40 additional southern constellations. The way I had constructed the illustration hampered my ability to add them in harmoniously.

This Gastronomy constellation food chart is available as a free coloring page under Creative Commons CC BY-NC 3.0.

Care to read more?

Converting a Webcomic into a Graphic Novel Pitch

Converting a Webcomic into a Graphic Novel Pitch

Retrofitting Dinosaurs for the Future of HumankindRAWR! Dinosaur Friends started out as a webcomic concept, one that I wasn't initially intending to pitch as a proper graphic novel. The first iteration was a slapdash, punk homage to the natural history museums I loved...

Goblin Week 2022 Retrospective

Goblin Week 2022 Retrospective

Throwing Down on Social MediaI don't often participate in big group challenges in public, but this one caught my interest: Goblin Week! It was started by Evan Dahm in 2012 and every year, the goblins just get more goblin-y. I created seven different goblins with...

Want to chat about this?