Amphiox, Continued

Amphiox, Continued

Digital artwork of the opening page in a 48-page comic titled 'Amphiox'. It depicts the title in loosely-kerned Alegreya font as well as a section of some sort of eel, fin included.

Defining Steps in a Personal Production Pipeline
My Amphiox short comic is an exercise in art production. Up until I attempted it, I’d never really done much longform comic storytelling. Most of my practice was in one- or two-page micro-stories. I chose 48 pages as a test for art production because that’s a typical length for a ‘floppy’ comic book, like the ones that debut monthly in comic shops. As I continue to work on it in drafts, I have to define particular stages of production. This frees me from judging myself too hard too early; if something’s not working, I can do my best and then leave it for a later pass.

At the moment, I’m working on inking. However, prior to this I needed the following passes:

  1. Thumbnailing
  2. Value Sketch
  3. Roughing
  4. ‘Clean’ Roughing

I don’t like two separate stages of roughing. For the purposes of figuring out how I like to work I had to give myself the opportunity to ‘let go’ on any given panel in my comic. But, will this be a fast enough process to deliver a comic according to a tighter schedule with more people’s livelihoods on the line? Most comic art I see has a roughs stage, then a lineart stage, nothing in between. I wonder if I have to sharpen my confidence to get to that stage?

Just for fun, here’s what the above stages look like on the most complex spread of my comic so far. It’s an airship village that I named ‘Villagespread.psd’ and it’s fun but I also am expecting a lot of myself with it.

Digital artwork of a very scribbly, simple 'airship village'. If you squint it might be full of airships.Thumbnailing

Digital artwork of the airship village, rendered in stark black and white. The shapes are still very abstract. There's stick figures running through it shouting 'Amphiox! Amphiox!'Value Sketch (with extra panels to indicate the path the characters take)

Digital artwork of the village spread, now drawn more competently and with grayscale shading. It's still pretty rough but at least the airships are visible.Roughing (with grayscale study)

Digital artwork of the airship village spread, with more work on the characters and refined setting pieces.‘Clean’ Roughing

Digital artwork of the airship village spread with the rough sketch set to low opacity, and a few polished lines on the left of the composition.
Inking (Work in progress, of course!)

I also did some late-stage editing on the writing in this draft. When test readers went through the comic they were greatly misinterpreting the following spread. They thought this was a rescue team. I came to the conclusion that this was just a few too many threads in a very short, simple story.

A rough spread with a subterranean submarine, new characters, banter, and uh yeah it's confusing.

However, it’s a bit late in the game to commit to a spread that is equally complicated as this one.

Digital artwork of a view over a hill. There's an airship village on the beach. A rickety house sits on the hill. Off in the ocean there's a grotto. There is text: ONCE UPON A TIME... A traveling village perched upon a shore.  The villagers kept an eye on the horizon. Hungry and deep, the ocean growled. The villagers called their planet, 'haunted'.

I schooched in a ‘prequel’ spread using graphic design to minimize the amount of art I needed to draw. White space is more than about being artsy or airy…it’s also about freeing yourself from extra work. This spread also solved a problem with staging that I had. It’s important that the reader be able to ‘feel’ the location of the airship village in relation to the Amphiox grotto and the haunted house on the hilltop. I’m not the greatest at prose but hopefully I could give a little bit of cultural context to how people react to giant magic doom eels.

Scanned traditional sketch of Lyrat with a patchier outfit and more utilitarian clothing.

I also redesigned Lyrat Poes (‘Poesy’ in the comic) because I didn’t want her to be so symmetrical. I also felt like her original balloony clothing was going to get caught on stuff. Now she looks more like she mods her outfits for jobs rather than fashion.

What’s Next?
Inking! So much inking. Especially that airship spread, wow. I was averaging about 3 full spreads per day before I hit that one.

How am I Feeling About Warlock’d?
Right. This was meant to be a thing that helped me with Warlock’d. Okay, so, I’m feeling intimidated by the amount of work I have to do to make a very long story (300+ pages) coherent and as polished as I am making Amphiox. However, I think that I can commit to polishing individual chapters and editing layouts in the same way that I’ve been editing Amphiox layouts. Am I glad I made Amphiox? Yes. Do I enjoy how much time it’s taking from Warlock’d? No, but at the same time, I needed a break from Warlock’d.

Care to read more?

You Don’t Meet in a Tavern Promo

You Don’t Meet in a Tavern Promo

Where to Stick This Knife?One fine morning a little over a year ago, I set up a silly poll on Twitter. I asked everyone, since we were all thieves in a treasure room, which item to steal. About thirty-seven thieves weighed in and decided upon, among other things,...

A Fossil Returns to Life

A Fossil Returns to Life

What Do We Do with Old Art that People Really Liked?I've been doing conventions for awhile now and find them very personally fulfilling. I have so much fun setting up my display, rehearsing my sales strategies, and figuring out which things sell and why. Of course, my...

Amphiox, Continued

Amphiox, Continued

Defining Steps in a Personal Production PipelineMy Amphiox short comic is an exercise in art production. Up until I attempted it, I'd never really done much longform comic storytelling. Most of my practice was in one- or two-page micro-stories. I chose 48 pages as a...

Want to chat about this?

So I Went Adventuring…

So I Went Adventuring…

Digital artwork of a chipper, perhaps even smarmy, kingfisher on a branch. The kingfisher is decked out in fantasy royal knight regalia. This includes a blue cape with ermine fur on the inside, a small buckler strapped to her shoulder, a sword strapped to her back, and a dagger attached to a belt wrapped under her distinctive red 'belt' of feathers which marks her as a Belted Kingfisher. The sky is big, bold, and blue behind her, ripe for adventure!

Lady Sigrid von Eisvogel
“Lady Sigrid von Eisvogel of G├╝rtelfischer Manor (she/her) is an adventuress who has gained some notoriety as a skilled and fearless swordfighter in recent years. Her origins are somewhat mysterious. While she is more than happy to talk about her home and family, neither she nor various other interested parties have been able to turn up a single other person who has seen or even heard of the realm she claims to come from. Those of a more sceptical disposition might say that it is rather convenient for her that nobody can verify her claims of being a warrior-princess. However, while she may or may not be a princess, the “warrior” part is evidently accurate, so it is wise not say such things within earshot of her.”

-R. Kraft, Avians & Aviaries

About This Piece
Lady Sigrid here would not exist without the chance sighting of a kingfisher by my photographer friend, GettoKnowNature. Kingfishers are notoriously elusive photography subjects and here was one just chilling on a branch one winter morning! The bird had so much character, I was equally smitten when Nature’s luck.

Digital photograph of a belted kingfisher perched on a branch full of lichens. The sky is super blue behind her. The kingfisher is female because it has a rusty brown 'belt' around her waist.Photograph byGettoKnowNature. Displayed with permission.

So, I did what I do best when I see a cheeky beak: I drew it! I also found out tangentially that kingfishers are related to kookaburras. This was related to noticing the beak and crest being kookaburra-like.

Where Have I Been?
I have been right here, busy as ever. Perhaps busier. I had to put the blog on the backburner when contracting picked up a little too much to maintain everything I wanted to accomplish. I return with thoughts on how to continue making the two-week schedule I’d originally envisioned here managable.

Simpler Posts
Step one, from here on out each post will simply be that. I won’t add tutorials to the end. These tutorials were taking a lot of my time. I couldn’t trust that they were accurately conveying the concepts I wanted to teach. Finally, each one kind of contained enough information to be its own blog post, which often felt at odds with the subjects I was actively blogging about. Therefore, whenever I make a tutorial post in the future, it will be its own fullblown post! I think this would be very fun and make the amount of work involved feel like it’s worth it.

Status/Update Journaling
Step two, there will be times when I don’t precisely have a finished product to show. I’m opening myself to status updates and observations that come with that. I’m already experimenting with it via my Amphiox project and it feels great.

Blog Redesign
I would also like my blog to feel less detached and all-over-the-place. I’m going to revisit the layout and make it easier to navigate through posts and find posts with similar tags and categories. I think it should feel like it’s part of my main website rather than a different area.

Up Next
I’m tabling at GeekGirlCon! This is one of my favorite, favorite conventions. I’ll be at table 915 so if you’re in the Seattle area on Saturday 5th November, I’d love to meet you. I will have a new zine and tons of new prints, plus some returning goodies from years past. It has been a long time since I tabled anywhere due to COVID but I’m looking forward to getting back into these. I love meeting people so much.

Care to read more?

You Don’t Meet in a Tavern Promo

You Don’t Meet in a Tavern Promo

Where to Stick This Knife?One fine morning a little over a year ago, I set up a silly poll on Twitter. I asked everyone, since we were all thieves in a treasure room, which item to steal. About thirty-seven thieves weighed in and decided upon, among other things,...

A Fossil Returns to Life

A Fossil Returns to Life

What Do We Do with Old Art that People Really Liked?I've been doing conventions for awhile now and find them very personally fulfilling. I have so much fun setting up my display, rehearsing my sales strategies, and figuring out which things sell and why. Of course, my...

Amphiox, Continued

Amphiox, Continued

Defining Steps in a Personal Production PipelineMy Amphiox short comic is an exercise in art production. Up until I attempted it, I'd never really done much longform comic storytelling. Most of my practice was in one- or two-page micro-stories. I chose 48 pages as a...

Want to chat about this?