SAW Graphic Novel Development Month 2/6

SAW Graphic Novel Development Month 2/6

Digital art of a character design based off of the medieval cynocephalus, or dog-headed man. (No relation to Dav Pilkey). The men are both dressed in fine furs with felt hats and wear snarls on their muzzled faces. The only difference between the two is that one man is entirely wolflike, fur and all, while the other man has no fur on their face, leading to a very bald complexion.

A Tale of Cynocephali
In the six-month Sequential Arts Workshop (SAW) graphic novel intensive, I’ve been getting meaningful work done on my thumbnails and script. Soon, I will have a complete thumbnailed version of the graphic novel.

As for the cynocephali (or medieval dog-headed men) above, that represents a character redesign challenge I had while revisiting the fourth or fifth draft of my script. The first iteration of this character, named Canicula, is represented by the gray wolfish man. Early feedback indicated that sure, wolf heads are cool, but Canicula looked like he was a werewolf form of Pierre, one of the comic’s deuteragonists!

Hated to admit it but I can sort of see how Canicula initially looked like a wolfy Pierre.

So, I dug deep into Wikipedia for more visual reference. 12th century images of cynocephali are quite rare online, or I simply haven’t found them yet. I landed on this example of a 17th century depiction of Saint Christopher as a cynocephalus from Russia and couldn’t get it out of my mind.

Kermira, Cappadocia St Christopher depicted with the head of a dog. From the 5th century on, it was widely believed in Byzantium that the saint was one of the mythic dog-heads, a barbarian race without the gift of human speech. Nevertheless his depiction as a dog-head had not been the dominant in the Byzantine art, since the Byzantine Church frowned upon the linking of one of its saints with the cynocephali. In the post-Byzantine art, though, especially from the 17th c. onwards, the Orthodox artists several times paint the Saint as a dog-head. (Public domain image from Wikimedia Commons)

There’s something quite arresting about the skin tone, the ears, and the haircut on this artwork. I couldn’t put my finger on it….

Screenshot of Mok Swagger, a character from an ill-fated animated movie called Rock n' Rule. He has excessive eyebrows, lips, and teeth, and he's holding some kind of vaporwave stick. He looks an awful lot like a cynocephalus, with the pointy ears, big curved nose, and ridiculous lips.I don't know. Ask Nelvana.“My name is…Moknicula Swaggercephalus.”

Ah. Okay. Well. This will be my homage to Nelvana’s ill-fated attempt at adult animation, then! Exactly the right level of uncanny valley.

Character redesign: Complete! For now, anyway.

In terms of technical studies I’ve also been working my way through the facial expressions section in Anatomy for Sculptors.

Comics Tip

Managing a Team of One
As I’m independently producing a graphic novel, I’ve come to realize I am doing 4-5 separate jobs, all at once. Just being one person, it might seem easy to keep myself organized, but no, of course not. My brain goes in 4-5 different directions at once. I have to reign myself in and focus on one part of the graphic novel at a time. Above all, writing comes first. Many graphic novelists (and, er, non-graphic novelists…so… novelists) turn to notecards and sticky notes to keep their plots under control. While I adore tactile crafting and drawing whenever possible, I turned to a digital solution. is a free notecard-like sorting system for keeping track of tasks. It accomplishes the one simple thing that I want it to do: Make digital cards that are editable, legible, and can be swapped around. I can access my cards from anywhere. They are also share-able for feedback and if I really wanted, I could invite collaborators.

Screen Shot of a Trello board. It has several columns, including to-do lists, lettering, thumbnailing, and the like. The background is a snowy mountain lake.

I set up my columns to reflect each ‘job’ I have to do in order to complete my graphic novel: Conceptualized, Scripted, Thumbnailed, Lettered, Roughed, Inked, Colored, Polished. Right now I’m very focused on bringing everything into the ‘Thumbnailed’ stage. At the time of writing this I have Act 1 thumbnailed, most of Act 2 thumbnailed, and bits of Act 3 thumbnailed. Trello lets me hop around like a time traveler so I can resolve the scenes I am most interested in first.

If you’re interested in giving Trello a try, and haven’t been traumatized by it yet in a tech workplace, it’s free to use here.

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Cocoon Year: Weeks 27 & 28

Cocoon Year: Weeks 27 & 28

Cocoon Year: Allowing Synopses to Build on Each Other As I write, I learn new techniques for visualizing entire stories. Learning to understand synopses has been really important for me. One important thing I’ve learned about them is that they’re good for sharing with...

Cocoon Year: Weeks 25 & 26

Cocoon Year: Weeks 25 & 26

Cocoon Year: Finding the Character in Objects Writing progress became confused, dismal. I figured something out between the way I approach problems and the way my spouse approaches problems. When we play a puzzle game called Picross together, we often mess up the...

Cocoon Year: Weeks 23 & 24

Cocoon Year: Weeks 23 & 24

Cocoon Year: A Retrospective of Drafts I really wish this wasn’t already halfway through the year. I’d hoped to have gotten started on the art part of my project instead of languishing on writing like I always do concerning Warlock’d. For both weeks, I decided to do a...

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