In the News, Again: A SAW Nonfiction Comics Anthology Recently I had the pleasure of joining a nonfiction anthology, In the News Again, edited by Emma Jensen and Karlo Antunes. Above is the first page to my small entry. I wanted to do a comparison of attending a...
An Illustration of Gastronomical Proportions
This one-shot editorial illustration represents mashups of foods that I personally enjoy and celestial bodies. I wanted to make a large print for sale in-person at conventions. Someday, I may open an online shop as well, but for now this exists as an exercise in creating a compelling illustration out of lots of fiddly bits. The meals involved as puns are all based on my own personal tastes and are in no way representative of all the great food out there. I should be ashamed of all these puns, but no, I’m going to include a chart so that you can track down each and every one of them. Many of the puns were contributed by regular viewers to my weekly livestream and no, I’m not sure whether I should thank or blame them.
As a writing exercise, I wrote encouraging food-themed horoscopes for each zodiac sign.
You are bold and swift. As you charge forth into your creative endeavors, remember that the things you are creating and offering to the world can also be things that you, yourself, enjoy.
You’re looking at the stars all the time in search of inspiration. Don’t forget to glance in front of you every now and then. We wouldn’t want you to end up in someone else’s pie.
Today, you’re going to chop all the woody parts off your project. This will make it super soft, buttery, and crisp after it’s fried. Look to Taurus and pour a little red wine for a great pairing.
Keep your eye on the prize, but — if you can load your arrow upfront, who would blame you? Maybe you have a secret resource that you’re not utilizing yet. No shame in using it.
You might be severely underrated. Even prisoners didn’t want to eat lobster in Victorian England. But look at this dish now — Golden, buttery, delicious…expensive. Boil your heart out.
Your work is going to be a staple in someone’s life. Maybe not everyone likes raisins in their loaf, or rye, or sourdough, but trying different angles will show you the true grain eventually.
Extra “Virgo” Olive Oil
Honey, you’re delicious, and you belong in every meal. Just remember to add yourself after the pan is heated so you don’t evaporate into smoke. Tonight: sit in a bowl with some oregano
If your work isn’t quite complex enough to attract attention, utilize your sunny personality. Big, simple flavors are refreshing, especially if they’re offered by someone kind and friendly.
You’ve got something really grand in the works, and you know it! The project may take awhile to get from one place to another, but once you have it, it’s yours to steam and butter.
Have you shared your project with someone you trust? Not every pitch session has to be about critique. Sometimes, it’s refreshing to sit down with someone who only has praise for your work.
Your stalwart nature will save the day. Flip your project and your finesse will result in a juicy, flavorful meal — and it’s also okay to use extra spices. A good sear is what locks the flavor in.
Comparing Processes in Similar Projects
Lately I have been on what I could term an ‘Eye Spy’ kick, where I’m fascinated by broad, landscape compositions with lots to teeny, tiny intertwining scenes and characters. My previous work in this vein was this snapshot of the Carboniferous, featuring over 250 organisms from the time period.
For this complex Eye Spy page, I had each organism in its own named layer folder. The folder contained visual reference, a rough sketch, and lineart. I approached the composition by laying out all of the organisms as sketches first. Then I created their lineart. After that, I duplicated the lines and merged them so that they would be easier to color. I felt weird about having over a thousand layers in one document, but my computer was able to handle it.
For the Gastronomy concept, I wondered if simplifying the document might help complete it more quickly. Instead of compiling reference for everything, then sketching every character, and then drawing lineart for every character, I worked on the piece one constellation at a time. All the sketches are on one layer, and all the lineart is on one layer, and then all the stars are on one layer.
Which one works best for me?
The results were… drumroll please…Absolutely, 1000%, my process on the Carboniferous was better. Working on individual illustrations meant I was constantly switching between research, sketch, and lineart mode on Gastronomy. My Carboniferous creatures, as sketches, could be moved around more easily and tangents were solved. This was not the case with Gastronomy constellation characters and I fear the tangents in this piece.
For creating highly-detailed landscape compositions like this, I recommend:
- Organized, named layers, in folders per miniature that exists in the illustration. Don’t be afraid of a thousand layers in your document. Just save it as a .psb. It’s all good.
- Do visual research for ALL of the characters or mini-illustrations first.
- Sketch ALL of the characters across the whole composition before doing lineart.
- Give yourself a composition-editing phase between sketching and lineart. Easier to move, enlarge, shrink, and otherwise edit sketches than it is to edit lines, in my experience.
- Once the lineart is done, create two duplicate, flattened versions of all the lineart. One is to behave as lines, the other is to help with flatting. Keep at least one copy of the lineart with separate characters because they can be useful outside of the big composition as spot illustrations, or as easy selection areas for the magic wand tool.
- Chunk the whole composition into 9-12 squares for coloring flats, details, and doing small paintovers. Polishing a fraction of the larger illustration per day helps manage burnout and gives a series of smaller accomplishments to reach.
- Choose points of interest in the overall composition. Putting big highlights and shadows on everything can make it hard to focus (although sometimes that’s the point!). Selectively highlighting certain parts of a larger Eye Spy composition allows the other subjects to fall back and ‘hide’ a little, making it more fun to look through.
On a final note, there was also a small hiccup with Gastronomy where my reference star chart omitted around 40 additional southern constellations. The way I had constructed the illustration hampered my ability to add them in harmoniously.
This Gastronomy constellation food chart is available as a free coloring page under Creative Commons CC BY-NC 3.0.
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