Cocoon Year: Weeks 21 & 22

Cocoon Year: Weeks 21 & 22

Digital art of a big, fat monarch butterfly caterpillar. It's covered in a cacophony of black, peach, and white stripes. It has big black feelers on its head and fake feelers on its butt. The remains of leaves that it has demolished in its everpresent hunger are scattered around where it steps.

Cocoon Year: A New Start
I keep saying I’m not going to restart the outline, but I wasn’t having any fun writing my rough draft and I think that’s a sign. Re-simplifying the story should help get the finish line closer.

 

Cocoon Week 21

I wrote things. Mostly, I went deep into Stone’s relationship with a new character named Jean. From the most recent discarded draft, I rescued an opening sequence where clerics in 1191 AD discuss that Christians believed the world would end in 1000 AD. I want to portray medieval people as being capable of skepticism. Without knowing any better, I’d say pop cultural belief that they were all unerringly and unquestioningly religious has roots in Victorian misconceptions at best and fascist propaganda at worst. I don’t think there has ever been a time where all humans in a given area have stringently and similarly believed the same things. In other words, ‘everybody was good and Christian in medieval times’ is not really a thing. I know that clerics would often express skepticism although this is a creative process blog so I’m not obligated to cite a particular thing.

I’m trying a new technique where I’ve defined the finish line as 125 pages of script. Screenplays are a lot lighter than prose, and 125 pages is the given length for a 90-minute movie. Since graphic novels are a little bit like movies, and I err towards cinematography rather than literature in mine, the screenplay length makes sense to me. It’s also not something I’ve tried before so the novelty helps keep me focused for the time being. I went through and added pages and page breaks for specific scenes I have in mind. I am also checking a cozy mystery beat sheet and hoping that the connections I’m seeing aren’t just like, when someone randomly overlays a Fibonacci spiral on top of random images to ‘prove’ that spirals are everywhere in art and in nature.

Digital diagram of a golden spiral confusingly laid on top of a photograph of a spiral staircase. The spirals do not match up. The proportions are outlined via number and graph lines, but this still doesn't make any sense, nor is it supposed to make sense.  Photograph by: https://pixabay.com/photos/gaiazoo-spiral-staircase-kerkrade-7844381/ Fibonacci spiral diagram by: https://en.wikipedia.org/wiki/Golden_spiral#/media/File:Fibonacci_Spiral.svg

Legend has it, if you stick a Fibonacci spiral on top of any image, the image becomes well-composed. (This is sarcasm.)

Maybe beat sheets are more like for beginners and once I have a better grasp on how to write well, I can remix them more effectively. That’s also how a lot of compositional rules work.

Already I’m seeing a lot more flexibility as I move chunks of script around. Trello should be more apt for this, right? Well, not really. Trello was probably just making the plots more detailed than they needed to be. Or, they just don’t work with my writing explorations, which are probably also part of my process as well. I’m sure plenty of writers have piles of pages they used to get to know the characters behind their stories. I know I am kind of annoyed when I see someone’s first draft and it’s clear that they haven’t explored anything outside of hitting outline beats. It’s also quite possible that my previous strategy of using Trello is no longer novel so now I’m grasping for reasons why I shouldn’t use it anymore. It’s still possible I might return to Trello or even real physical notecards but that technique would need some sharper rules to keep the scene count from ballooning out of control.

I started doing the final colors on my Troubled Histories anthology. This means taking flats and adding highlights and shadows. I’ve erred towards a lighter touch since these pages will be quite small, chapter-book sized. Overworking images or having too much shading and highlights can make otherwise simple imagery confusing. Having simplified my color selection and shading process helps make these a breeze, so long as I’ve flatted the panel correctly.

Lineart of a king in a throne room toasting a groveling peasant. The lines are thin. There are two other images of process, and the final image will more completely describe what is going on in this comic panel.

Lines. The color was actually added to the lines after I figured out the highlights and shadows, but I’m too lazy to show this in the image itself.

Flatted colors of the above lineart. It's mostly reds and golds, with blue for the focal point of the king. Full description of image is in the version below.

Flats, with some flats acting as highlights and shadows.

Fully-colored and detailed comic panel made with digital art. The style is cel-shaded with special attention to points of interest, and allowance of colors to sit flat with no shading in areas where there shouldn't be much interest. Overall, the panel is very threatening and red in color, with gold accents. A king sits on a throne in a blue cape. He toasts a groveling peasant with a golden chalice in his royal hand. The king is surrounded by helmeted, cloaked knights in crimson capes. This all takes place in a throne room lavishly decorated with red curtains, a podium decorated with paintings and gold leaf, a fancy throne with dragons on the arm rests, and marble tiles in a checkerboard pattern for flooring.

And now I get to define shapes and pull the panel out of ‘flat’ land.

Once coloring is done, the lettering finalization will take place. I am languishing on this project and would like to focus on other things (…Warlock’d…) so I am not feeling anything super fancy or experimental on the letters. This will be a completely normal comic which is fine.

One other thing about this week is that my spouse, in pursuit of mental health, popped open Unity and started doing some hobby-level game dev. I’ve been mildly obsessing over pixel art in my off time so I decided to give him little ‘treats’ in the form of pixel art that he can program to do silly things. We both enjoy games where characters change visually so I’m experimenting with a pixel ‘doll’ that can be dressed up as it goes on an adventure.

Digital pixel art of a naked, doll-like character. It is so simplified it doesn't even have eyes or a mouth, or a bellybutton. The art is intended to be seen at 32 by 32 pixels, but has been enlarged to three times the size so as not to be actually tiny on a webpage.

Nakey 32×32 adventures!

Cocoon Week 22

Digital art of a 12th century lock found on a church at one point in time. This square bronze lock has clearly seen wear and tear, but originally it was an ornately crafted piece with animals entwined in detailed bronzework. It has an enormous crude keyhole in the middle. Dragon heads sprout from its corners. The lock has been posed on a checkerboard-like pattern that alternates between different shades of maroon.

It’s complete! My Troubled Histories anthology entry, ‘We Need to Talk About Locks’ is done. I submitted it this week to remove it from my plate. It helped me refresh my experience with the gaudy Warlock’d palette and how to keep it under control, as well as where and when to expand it. I’m looking forward to seeing this in print although I do wish I’d had more passion for it.

Screenshot of a color palette organized around four bold bands of orangeish red, goldenrod, ultramarine blue, and a very pale, almost neon, seafoam green. There are sixteen other colors gathered around these four main colors, in various shades of darkness, lightness, and saturation. An unimportant hex code remains on the red band from where the cursor was hovering as I took the screenshot.

This is the palette! It’s based on jewel tones used in medieval art. They liked colors. They weren’t sad gray people shuffling around dingy brown cities.

Warlock’d is going interestingly. I’m really slowing down on scenes and letting the writing chew the scenery. Readers can learn more than one thing about a character at a time. Not all of it is important. I can waste people’s time a little bit. I want to give them the sensation of hanging out with a character and really getting to know them, perhaps being fond of them. My points of escalation have also, for lack of a better term, de-escalated, into smaller steps that are more easily portrayed by this little setting. This isn’t an epic fantasy where you need to know a lot about the setting. I’m also trying to be less snarky and more earnest. The humor ought to come from characters remarking on their situations, not from me making fun of weird medieval things.

One thing I’m doing is porting around bits of writing to different sections helter-skelter. If something feels like it should be revealed earlier, then I move it up earlier. Scenes where I don’t quite know what’s going to happen yet become pages with page breaks for later. So far I am sitting at 28/125 pages in my count and hope to make every page count towards the whole. This story may feel ‘slow’ as a result — maybe that’s fine. If I can keep scenes mostly familiar and only introduce some esoteric thing every few scenes that might be better for readers.

I was reading a draft of Idolon, the next story in my Amphiox world, and really hated how many new things I onboarded and explained. I think there’s also something to be said for presenting something without explanation as a ‘well what’s that thing’ and then explaining it later when it’s actually important. But. I do need to write Warlock’d and not Idolon.

So far Margot is a lot funnier as a living character so I hope that her death (and subsequent resurrection as a lost soul) is more interesting as a result. Currently it feels like the antagonistic church forces act too quickly for Stone to work alongside them willingly.

I have also decided that Stone is a burgher whose wealth comes from the gold trade — both selling and crafting. In other stories his status was frequently up in the air — was he an official demonologist? Aligned with the church? Outcast? A random ‘lay cleric’? The way southern kingdoms interacted with northern kingdoms in Europe was through trade. I’ve settled on gold as something that people would immediately recognize as a special part of medieval culture, and that would lend itself to Stone’s background, wealth, and power.

Most people think of medieval caste society as two castes. Royals and not-royals. Looking into this via Wikipedia (bless all wikipedia historians), the society was more formally recognized as three different worlds, that of laborers, royalty, and clergy. Clergy sort of had a subdivision between noble clergy (from the royal world) and lay clergy (from the laborer world). Then, burghers and craftsmen were experiencing more privilege during a mini-renaissance than other times, so this seemed like a good spot for Stone. He only gets pulled into the religious esoterica on behalf of his friend, Jean. The story transforms Stone into a private detective who isn’t beholden to the crown or to the cross. This sounds good to me so far. Who knows if it will change later, but it’s nice to have specifics.

Concerning Lebeau…They’re gone. This poor knight is now sequel fodder. Rest well, my dear enby knight.

In their place is a quasi-love interest and plot macguffin of a character who currently goes by the name of ‘Jean’, pending a name change. Jean is Stone’s close friend. In my head they have an extremely romantic relationship full of physical and verbal affection. Stone, however, is a very private person and would likely not have much in the way of sexual impulses, much less act out on them. So yes, clearly and openly gay, but due to character personalities and situations and medieval people in general being quite affectionate with each other, not a typical romantic relationship concerning sex. I’m really hoping no one misinterprets this as being sex-negative because I’m not, I just find it easier to make Stone asexual. I can understand a lack of interest in sex for oneself. Happy Pride month next week, I guess.

Jean himself seems to be a lay scholar who aspires to the Benedictine order as a monk. He is able to afford a Parisian education, so something in his background out to align with that. He and Stone met as scholars and became friends. That’s all I know about Jean so far. I made an ill-fated foray into researching what people might find sexy about tonsures on Bluesky and found a whole lot of bald thirst. I get what I deserve.

I feel like I need to keep up writing the draft until it is done so that another random direction doesn’t pull me elsewhere. Perfection is a fascist’s tool for keeping control, after all.

Game dev with my spouse has continued. I am having fun chewing on the problem of how to make tiling textures with organic edges. I wish writing problems were this interesting to me. I guess the more I learn the more interesting those problems will seem.

Screenshot of pixel art depicting a forest composed of neatly interlocking 32 by 32 pixel tiles. The trees are in all shapes and sizes and very organic, utilizing a manual anti-aliasing technique. They are a very understated shade of green, almost gray.

To Do Next Week:

  1. Writing!!!
  2. Web design for Codex Apis (short comics collection) (Didn’t get around to this)
  3. Or, web design for Warlock’d? Still haven’t gotten around to it. It still feels so far off!
  4. More pixel art for my beloved

Care to read more?

Cocoon Year: Weeks 21 & 22

Cocoon Year: Weeks 21 & 22

Cocoon Year: A New StartI keep saying I'm not going to restart the outline, but I wasn't having any fun writing my rough draft and I think that's a sign. Re-simplifying the story should help get the finish line closer.   Cocoon Week 21 I wrote things. Mostly, I went...

Cocoon Year: Weeks 19 & 20

Cocoon Year: Weeks 19 & 20

Cocoon Year: May WoesI keep saying I'm not going to restart the outline, but I wasn't having any fun writing my rough draft and I think that's a sign. Re-simplifying the story should help get the finish line closer.   Cocoon Week 19 I wrote many scenes in Warlock’d...

Cocoon Year: 17 & 18

Cocoon Year: 17 & 18

Cocoon Year: April into MayI re-did my outline and dismantled my trello, just to set it up again for more writing madness. I have a definitive list of 20 scenes that I’d like to have in my story and now I’m going to see how they look all fleshed out.   Cocoon Week 17...

Want to chat about this?

Geek Girl Con ’22 Recap

Geek Girl Con ’22 Recap

Photograph of my assorted art zine, Crab Rare Arts Best, next to my calico cat, neatly arranged on a bean bag.

Where to Sell my New Zine?
I recently compiled a selection of my Pandemic drawings into an art zine. The fun of zines is sharing them with someone who will read them.

Photo of my calico cat turning away from an open zine in my hands. Drat!C’mon. Just read my stuff…

Having exhausted my household of zine-readers, I decided to table at Geek Girl Con. This is a convention that takes place in Seattle and was on hiatus during the COVID days. I had only tabled once before but the feeling of the convention was, well, a weight off my shoulders. Geek Girl Con feels a lot more personal than big comic cons, but it still has lots of people attending and there is plenty of workshops and panels to attend. I don’t feel bad for being an indie creator at GGC! In fact I feel very encouraged to continue doing my own thing. The sales last time I went weren’t bad either.

Digital artwork of a dragon chomping a dove. This is painted in a medieval style. The dragon is on a red background with a title of 'crab rare arts best' in the background. Doves perch in the tree, fearful of the dragon.Crab Rare Arts Best – my new 48-page zine featuring odds and ends, including drawings, doodles, and short comics.

This zine is named via magic square, so the title isn’t supposed to make sense. Scraps of knowledge were collated by ancient people and protected with magic squares instead of properly being titled. So I did that in the same vein. It’s 48 pages of unrestrained nonsense, pulled together by virtue of ‘this is everything I happen to have on my desktop right now’.

I also created giclée prints of my elasmotherium unicorn, my gastronomy chart, my medieval cat meme, and various small artworks I’d made on my livestream. I used my inkjet printer and archival-quality cotton paper. To fill in the rest of the table, I brought leftover acrylic fossil charms (some of which were in blind boxes) and some older zines from pre-pandemic times. Warlock’d and Hands & Feet made their appearance. Then Devin and I masked up, loaded everything up in the car, promptly snapped off the side-view mirror while backing out of our garage, and called in a Lyft to get the rest of the way to the convention. I totally forgot my banner so I sent Devin back for it. He arrived with all my forgotten stuff and also…dumplings. He’s sort of amazing.

Digital artwork of an elasmotheirum depicted as being unicorn-like in a field of interlocking flowers. The 'unicorn' has clearly stomped its way into a small fenced paddock, leaving ruin in its wake. The pomegranate tree from which the unicorn snacked is falling over. Regardless, the unicorn wears a beautiful blue collar studded with gems as well as a gold chain twining around the tree. It's a pastiche of the classical medieval tapestry 'The Unicorn in Captivity.'Of Pomegranates and Unicorns –  $60 print I had for sale.

I thought for sure this print was going to be the star of my show. I even made extra copies and an additional design with the recently-reconstructed horn. I only sold one, and I only sold it while I was away from the table! Maybe I should have Devin pitch this one in the future.

Digital artwork of a constellation chart. The joke is that these constellations are all food-themed, so that the chart is a 'gastronomy' chart instead of an 'astronomy' chart. The artist's personal favorites are 'Burger-cules' for Hercules and Drink-o the Dragon. Gastronomy Chart — Another $60 print I had for sale.

Much to my delight, Gastronomy Chart sold several copies. I even had it hiding behind the bone charms because the contrast of the dark night sky made the bones pop out. People still had a fun time discovering it and that probably added to its charm. I was worried about this one because online it’s never been very popular. Just goes to show that social media literally means nothing when it comes to point of sale.

Digital artwork done in the style of a 14th century illuminated manuscript piece. A small calico cat is angrily plinking away at keys on a pipe organ, while passive-aggressive flowers curl and twist up to the cat's thoughts: Mother!! print — a $40 offering at a smaller size than the big luxury prints, same quality of paper and printing though.

This passive-aggressive cat meme was the surprise hit of the show. You can really tell when someone is responding to something on the table. People would run up and show their friends or reference roommates. Glad I made a few prints of these as a joke. I couldn’t even use my tactic of redirecting purchases from the pricey $40 print to the $15 zine — People just wanted the cat, and they were willing to pay the meme premium.

In terms of other sales, I sold the average amount of zines, and was surprised by the enthusiasm for some of my older zines. Someday I will shift those out of rotation. Still have a few left.

Among the various cosplayers and con-goers near my table, I encountered a very tame iguana on top of its owner’s shoulders and I got to pet it. Everyone was wearing masks. My usual sales tactic of handing people stuff off my table to handle it was a little awkward, considering. Devin was also somewhat better at selling my stuff than me. I think he pulled in more sales. Lesson learned: I should just go walk around and relax more at these things.

You may have noticed the high quality of photos taken of my table in a previous post. At the convention, I met an amazing photographer (AnnaMaria Jackson-Phelps) who offered to take shots of my table. Sporting an impressive portfolio of print media photography, I was very excited to make her acquaintance and see what she saw through her lens. The organizers at Geek Girl Con put her in touch with me and it turned into a cool collaborative adventure.

I also met someone from the Sequential Artists Workshop in person for the first time! We both live in the Northwest area so it was cool to get my local social circle widened a little.

Photograph of a watercolor print arranged on a warm table, next to a cow-shaped succulent pot and on top of a cloth with delicate leaf embroidery. Paintbrushes lie near the print. The print itself is a bright crop of a restful, happy blue whaleshark swimming through a school of yellow fish in teal water.Look at this adorable whale shark print by Rebecca Martinez!

I picked up a moon rabbit sticker from Rebecca and couldn’t be happier with the design aesthetic. Now I just have to get back to drawing traditionally so I can get a new sketchbook, as I like to crown my sketchbooks with stickers. I highly recommend grabbing something from Rebecca’s Etsy shop if you can. It’s certainly inspiring me to do something digital, so that I have somewhere to send all this leftover stuff from the convention.

Should You Do Geek Girl Con?
All in all, Geek Girl Con only lasted one day, but it worked out really well. People had to buy then and there so I did about as well as I do during a three-day convention. It does make me wish that artist alleys were only open for one day, so that artists have more time to browse around and escape their tables during the rest of the con. I adore this convention and highly recommend it as just big enough to get visitors to your table, and just small enough to make you feel like you’re part of something special.

As far as health safety goes — everyone wore masks. It was still tricky to navigate health boundaries because part of a convention is handling merchandise and saying hello to tons of people. I know I accidentally thrust my hand out to a baffled person because I had totally forgotten not to do that anymore. In general I could feel my social skills grinding slowly into gear, but never really overcoming the awkwardness of basically holing up for 3 years with my partner and losing all of my small social groups in the process. There wasn’t anything particularly special in terms of health requirements outside of the masks and I believe (?) a vaccination requirement as well. So, do this one at your own risk when it comes to skirting COVID.

Geek Girl Con also does plenty of remote outreach via their Twitch channel. Geek Girl Con is something you can interact with all year round from any distance that is safe. I really appreciate all the work they do to make a safe vibe for a convention. Just really positive and light all around.

 

 

Care to read more?

Cocoon Year: Weeks 21 & 22

Cocoon Year: Weeks 21 & 22

Cocoon Year: A New StartI keep saying I'm not going to restart the outline, but I wasn't having any fun writing my rough draft and I think that's a sign. Re-simplifying the story should help get the finish line closer.   Cocoon Week 21 I wrote things. Mostly, I went...

Cocoon Year: Weeks 19 & 20

Cocoon Year: Weeks 19 & 20

Cocoon Year: May WoesI keep saying I'm not going to restart the outline, but I wasn't having any fun writing my rough draft and I think that's a sign. Re-simplifying the story should help get the finish line closer.   Cocoon Week 19 I wrote many scenes in Warlock’d...

Cocoon Year: 17 & 18

Cocoon Year: 17 & 18

Cocoon Year: April into MayI re-did my outline and dismantled my trello, just to set it up again for more writing madness. I have a definitive list of 20 scenes that I’d like to have in my story and now I’m going to see how they look all fleshed out.   Cocoon Week 17...

Want to chat about this?

Amphiox Comic – August Challenge Prep

Amphiox Comic – August Challenge Prep

Digital artwork of around 48 pages of extremely messy, light comic artwork. Panels have been arranged with pink outlines.

A Break from the Webcomic Doldrums
I’ve been working hard on Warlock’d, but not in any capacity ready for public release. There is a lot of editing to be done on it (and has been done on it) and it gets overwhelming on a day-to-day basis. One issue has been that I’m not quite confident enough in my steps between layouts to complete art. Doing one-off single page gag comics is one thing, but it doesn’t quite give me enough experience with doing a whole batch of pages in a consistent style.

‘Sawgust’ logo and mascot created by Adrean Clark

The Sequential Artists Workshop is hosting, for the first time ever, an event dedicated to completing a comics challenge over August. It’s called SAWgust and it’s a comics-themed NaNoWriMo-type event run by two volunteers: Adrean Clark and Susan Marks. The cow mascot’s name is SAWgustus and also a leftover from when the event was called ‘SAWCoWriMo’. I wouldn’t let Adrean and Susan get rid of such a good boy. The cow remains even if the original pun does not and currently goes by the name of ‘SAWGustus’. I preferred ‘Gus’ as his name but I got what I wanted with regards to the mascot in the first place, so there’s no need for me to be petulant.

As for my project, I chose to comic-ify a short fantasy heist story I wrote last year. This would include some fun challenges: Character design, setting design, monster design, and a lot of practice drawing machines. I pre-gamed with 48 thumbnails and rudimentary lettering. It’s not part of a larger pitch, it’s just a short story that I can wrap up and sell at conventions as a single-issue floppy. There’s no additional baggage or expectations of it. All it needs to do is exist.

Then I got excited and did a series of value studies for all the pages as well. This is amazing for me. When I squint and look at all the pages at once, it already feels like a real comic!

Anatomy could use some work, of course!

I’m going to incorporate the value studies into Warlock’d. It gives me one more round of editing built into the layout stage. I hope it revitalizes my energy for my project and helps me move on out of the writing and into the artwork. I wonder what else I’m going to learn from this monthly challenge!

Comics Tip

Quick and Easy Margin Measurements for Organic Comic Page Layouts
You may have noticed weird pink outlines along some of my panels. These are FPO (For Placement Only) graphics that help me eyeball margins between panels. When using organic layouts it can be tough to figure out how far away panels ought to be from each other. Mechanically measuring each one takes too much time. However, by using Outer Glow and Object styles, we can make this process much less painful and perhaps even fun.

Page without guides…It’s hard to tell if all the panels are evenly spaced near each other.

Page with guides. Now we can see how far away each panel is from its neighbor!

Snap pink bands directly on top of one another for fun and profit.

Now all the panels are evenly spaced!

These borders are an Outer Glow Effect that can be set up within InDesign’s Object Styles panel. Use these settings for crisp edges on your Outer Glow. Color is up to you — I suggest something vibrant that can be seen clearly on whatever color your pages will be. I used pink because it’s cute and grabs my attention. As for the size of the margin, mine are typically 1/4th inch, but margin sizes differ according to personal taste. Definitely play with that until it’s a width that suits your comic.

You’ll need to apply the Object Style to each panel in your document. The easiest way to do this is to click the Object Style before creating the shapes. This will automatically assign the Object Style to all shapes you create until you click a different style. However, if a panel or two sneaks out of it, never fear, just select the shape and click the Object Style.

Why is the Object Style so important? Because once you’re done carefully laying out your panels with even margins, all it takes is one click on the checkbox seen above to disable the pink margins from all panels that have the Object Style applied. It’s also easy to turn back on if you feel like a stray panel looks off.

Now go out there and have nice even margins in your comic!

Care to read more?

Cocoon Year: Weeks 21 & 22

Cocoon Year: Weeks 21 & 22

Cocoon Year: A New StartI keep saying I'm not going to restart the outline, but I wasn't having any fun writing my rough draft and I think that's a sign. Re-simplifying the story should help get the finish line closer.   Cocoon Week 21 I wrote things. Mostly, I went...

Cocoon Year: Weeks 19 & 20

Cocoon Year: Weeks 19 & 20

Cocoon Year: May WoesI keep saying I'm not going to restart the outline, but I wasn't having any fun writing my rough draft and I think that's a sign. Re-simplifying the story should help get the finish line closer.   Cocoon Week 19 I wrote many scenes in Warlock’d...

Cocoon Year: 17 & 18

Cocoon Year: 17 & 18

Cocoon Year: April into MayI re-did my outline and dismantled my trello, just to set it up again for more writing madness. I have a definitive list of 20 scenes that I’d like to have in my story and now I’m going to see how they look all fleshed out.   Cocoon Week 17...

Want to chat about this?