Amphiox Monthly Challenge: Complete, but Not Finished

Amphiox Monthly Challenge: Complete, but Not Finished

Digital artwork of a cow mascot over a colored-in balloon letter word of 'SAWGUST'

I Completed a Monthly Challenge!
For the month of August, I pledged to ‘rough’ 48 pages. Roughing a comic means to start drawing in the figures and backgrounds of each panel. Roughs are typically more polished than thumbnails, but they aren’t necessarily polished. As I went, I colored in typography supplied by Sally Charette, one block for each day I completed. The cow mascot, SAWgustus, was created and drawn by Adrean Clark. I even won an ‘Auggie’ – a casual award for participating.

How Many Comic Roughs Can I Get Done in a Month?
As it turns out, 48 individual roughed pages in 24 spreads is a reasonable first benchmark for me. These aren’t ready to ship at all, by any means, but I have a solid start to a zine I might be able to sell at Geek Girl Con coming up in November. Probably not full-color or fully complete, but it’s exciting to think about having a short story available when normally all I sell are one-off illustrations and charms and things like that. Check out my progress below.

Digital artwork of a sketch of Lyrat, a bandit who wears a beanie and a jumpsuit.

I did some explorations of character designs as I went, but they needed adjustment within the story, so I’m glad I didn’t get too polished too quickly. I think I’ll leave my other character designs like this in the future. A little amorphous until they need to be solidified.

Digital artwork of various cover ideas, including some typographical explorations, some character art, the Amphiox monster, eggs, and random junk in the ocean.

I even had some time to experiment with cover designs.

Now what I’m sitting on is a base for the rest of the comic. I don’t think I can get a full-color comic inked and printed by November, but a black and white one would be possible. I definitely want to take an appropriate amount of time with inking so that I don’t have to re-do that. I also don’t want to commit to color too early and use a color-key to help me make good decisions as I polish off the rest of this comic before the year ends.

Many thanks to the SAW community for the great space to post rough progress and catalogue my thoughts as I was creating this!

What’s Next?
I have the following steps to get through as I continue honing this project and turning it into a little comic for my portfolio.

  1. Test Reading: Two readers have tested my comic and written a short story summarizing what they think the story is about. I’ll be reviewing their thoughts and incorporating changes to the story and characters based on what they thought. Some of the comic is still too ambiguous at this stage.
  2. Rough Revisions: I’ve shuffled the spreads into an order from least-favorite spread to most-favorite spread. I’ll be revising them with fresh rough artwork
  3. Value Studies R2: Roughs are a great spot to pause and see if my values have changed from my initial studies. They also inform whether my compositions are still working or not.
  4. Color Studies: Roughs are also a great spot to try out color schemes and see what will fit for the entire story, or if I need to adjust particular compositions.
  5. Inking: This will likely happen in a few steps but I haven’t thought through them fully enough to deliberate what those steps are.
  6. Coloring: This, too, will have its own series of steps in a process. Probably something similar to how I color smaller artwork.

Care to read more?

Amphiox, Continued

Amphiox, Continued

Defining Steps in a Personal Production PipelineMy Amphiox short comic is an exercise in art production. Up until I attempted it, I'd never really done much longform comic storytelling. Most of my practice was in one- or two-page micro-stories. I chose 48 pages as a...

So I Went Adventuring…

So I Went Adventuring…

Lady Sigrid von Eisvogel"Lady Sigrid von Eisvogel of Gürtelfischer Manor (she/her) is an adventuress who has gained some notoriety as a skilled and fearless swordfighter in recent years. Her origins are somewhat mysterious. While she is more than happy to talk about...

Amphiox Monthly Challenge: Complete, but Not Finished

Amphiox Monthly Challenge: Complete, but Not Finished

I Completed a Monthly Challenge!For the month of August, I pledged to 'rough' 48 pages. Roughing a comic means to start drawing in the figures and backgrounds of each panel. Roughs are typically more polished than thumbnails, but they aren't necessarily polished. As I...

Want to chat about this?

Amphiox Comic – August Challenge Prep

Amphiox Comic – August Challenge Prep

Digital artwork of around 48 pages of extremely messy, light comic artwork. Panels have been arranged with pink outlines.

A Break from the Webcomic Doldrums
I’ve been working hard on Warlock’d, but not in any capacity ready for public release. There is a lot of editing to be done on it (and has been done on it) and it gets overwhelming on a day-to-day basis. One issue has been that I’m not quite confident enough in my steps between layouts to complete art. Doing one-off single page gag comics is one thing, but it doesn’t quite give me enough experience with doing a whole batch of pages in a consistent style.

‘Sawgust’ logo and mascot created by Adrean Clark

The Sequential Artists Workshop is hosting, for the first time ever, an event dedicated to completing a comics challenge over August. It’s called SAWgust and it’s a comics-themed NaNoWriMo-type event run by two volunteers: Adrean Clark and Susan Marks. The cow mascot’s name is SAWgustus and also a leftover from when the event was called ‘SAWCoWriMo’. I wouldn’t let Adrean and Susan get rid of such a good boy. The cow remains even if the original pun does not and currently goes by the name of ‘SAWGustus’. I preferred ‘Gus’ as his name but I got what I wanted with regards to the mascot in the first place, so there’s no need for me to be petulant.

As for my project, I chose to comic-ify a short fantasy heist story I wrote last year. This would include some fun challenges: Character design, setting design, monster design, and a lot of practice drawing machines. I pre-gamed with 48 thumbnails and rudimentary lettering. It’s not part of a larger pitch, it’s just a short story that I can wrap up and sell at conventions as a single-issue floppy. There’s no additional baggage or expectations of it. All it needs to do is exist.

Then I got excited and did a series of value studies for all the pages as well. This is amazing for me. When I squint and look at all the pages at once, it already feels like a real comic!

Anatomy could use some work, of course!

I’m going to incorporate the value studies into Warlock’d. It gives me one more round of editing built into the layout stage. I hope it revitalizes my energy for my project and helps me move on out of the writing and into the artwork. I wonder what else I’m going to learn from this monthly challenge!

Comics Tip

Quick and Easy Margin Measurements for Organic Comic Page Layouts
You may have noticed weird pink outlines along some of my panels. These are FPO (For Placement Only) graphics that help me eyeball margins between panels. When using organic layouts it can be tough to figure out how far away panels ought to be from each other. Mechanically measuring each one takes too much time. However, by using Outer Glow and Object styles, we can make this process much less painful and perhaps even fun.

Page without guides…It’s hard to tell if all the panels are evenly spaced near each other.

Page with guides. Now we can see how far away each panel is from its neighbor!

Snap pink bands directly on top of one another for fun and profit.

Now all the panels are evenly spaced!

These borders are an Outer Glow Effect that can be set up within InDesign’s Object Styles panel. Use these settings for crisp edges on your Outer Glow. Color is up to you — I suggest something vibrant that can be seen clearly on whatever color your pages will be. I used pink because it’s cute and grabs my attention. As for the size of the margin, mine are typically 1/4th inch, but margin sizes differ according to personal taste. Definitely play with that until it’s a width that suits your comic.

You’ll need to apply the Object Style to each panel in your document. The easiest way to do this is to click the Object Style before creating the shapes. This will automatically assign the Object Style to all shapes you create until you click a different style. However, if a panel or two sneaks out of it, never fear, just select the shape and click the Object Style.

Why is the Object Style so important? Because once you’re done carefully laying out your panels with even margins, all it takes is one click on the checkbox seen above to disable the pink margins from all panels that have the Object Style applied. It’s also easy to turn back on if you feel like a stray panel looks off.

Now go out there and have nice even margins in your comic!

Care to read more?

Amphiox, Continued

Amphiox, Continued

Defining Steps in a Personal Production PipelineMy Amphiox short comic is an exercise in art production. Up until I attempted it, I'd never really done much longform comic storytelling. Most of my practice was in one- or two-page micro-stories. I chose 48 pages as a...

So I Went Adventuring…

So I Went Adventuring…

Lady Sigrid von Eisvogel"Lady Sigrid von Eisvogel of Gürtelfischer Manor (she/her) is an adventuress who has gained some notoriety as a skilled and fearless swordfighter in recent years. Her origins are somewhat mysterious. While she is more than happy to talk about...

Amphiox Monthly Challenge: Complete, but Not Finished

Amphiox Monthly Challenge: Complete, but Not Finished

I Completed a Monthly Challenge!For the month of August, I pledged to 'rough' 48 pages. Roughing a comic means to start drawing in the figures and backgrounds of each panel. Roughs are typically more polished than thumbnails, but they aren't necessarily polished. As I...

Want to chat about this?